Database of African Theses and Dissertations including Research (DATAD-R)

Laat-styl by J. S. Bach en Beethoven aan die hand van die "Goldberg" en "Diabelli" variasies

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dc.contributor Muller, S. J van Z.
dc.contributor Viljoen, N. G. J.
dc.creator Lamont, Anne Francoise
dc.date 2018-01-25T06:46:19Z
dc.date 2018-01-25T06:46:19Z
dc.date 2005-11
dc.date.accessioned 2018-06-24T05:29:20Z
dc.date.available 2018-06-24T05:29:20Z
dc.identifier http://hdl.handle.net/11660/7707
dc.identifier.uri http://hdl.handle.net/11660/7707
dc.description English: In this lecture LAAT-STYL BY J. S. BACH EN BEETHOVEN AAN DIE HAND VAN DIE “GOLDBERG” EN “DIABELLI” VARIASIES 'lateness' is examined as a concept via Adorno. Time and narrative are placed as the main elements in two of the greatest sets of variations in the piano repertoire. The lecture demonstrates similarities and differences between two very different compositions and the aesthetics of closure and ending. 'Lateness' is portrayed as inherently present in these works as a vehicle to illustrate the composers in their most mature utterances. The integrity of their musical language is shown to be realised by the relevant definition of 'lateness'. The lecture demonstrates the combination of performance and intellectualisation in a unique way and strives to combine the different disciplines as a balancing act and one in which both complement the other.
dc.description Afrikaans: Hierdie lesing LAAT-STYL BY J.S.BACH EN BEETHOVEN AAN DIE HAND VAN DIE “GOLDBERG” EN “DIABELLI” VARIASIES ondersoek die verskynsel van ‘laatheid’ as begrip soos Adorno dit verduidelik. In hierdie twee grootse variasiestelle vir die klavier word die konsep van tyd en narratief as fundamentele beginsels geïllustreer. Die lesing poog om verbande aan te toon en verskille te belig tussen twee uiteenlopende komposisies se estetiese besinnings oor eindigheid. Die ‘laatheid’ as ‘n integrale teenwoordigheid in hierdie werke word gedemonstreer as die geskikte middel wat die komponiste kies om hul rypste taal met integriteit te uiter. Die ontmoeting in hierdie studie van die handeling van musiekmaak met intellektualisering van die insigte gesetel in daardie handeling word op ‘n unieke wyse gedoen en in die balansering van die twee dissiplines word nuwe perspektiewe belig.
dc.language af
dc.publisher University of the Free State
dc.rights University of the Free State
dc.subject Goldberg
dc.subject Diabelli
dc.subject Comparisons
dc.subject Lateness
dc.subject Adorno
dc.subject Time and narrative
dc.subject Piano performance and intellectualisation
dc.subject Bach, Johann Sebastian, 1685-1750 -- Criticism and interpretation
dc.subject Beethoven, Ludwig van, 1770-1827 -- Criticism and interpretation
dc.subject Bach, Johann Sebastian, 1685-1750 -- Goldberg-Variation
dc.subject Thesis (Ph.D. (Music))--University of the Free State, 2005
dc.title Laat-styl by J. S. Bach en Beethoven aan die hand van die "Goldberg" en "Diabelli" variasies
dc.type Thesis


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